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Camilla Iannacci
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Chiara Ferragni and Fedez or "the Ferragnez" given an entry in Treccani,
awarded by an Ambrogino d'oro medal, and Chiara, having smashed the
"glass ceiling," is recognized by Forbes and Vogue, climbs to the top of
the stock exchange, and anointed a "commodity in a world of commodity,"
even going beyond Amazon.
The Lady who has the oracle in the
info-space does not say, she mentions, appears, shows herself, signifies
and is: she invites, wrapping the guest in a seductive, protective
amniotic liquid, mingling narration and reality in a dual, indeterminate
visual stability that rises even to "sacred" representations of
"Madonna Chiara."
Fedez is no prince consort, an active part in
their charities and on social media, and pointedly names his record
company "Newtopia."
This is the info-sphere, multidirectional,
polyphonic narration, a constellation of narrative topoi in which the
Ferragnez offer themselves as Singularities in the topological space of
social media: new mythos and meaning.
Scrivi una recensione per "FERRAGNI and FEDEZ. Analysis and morphogenesis of a Singularity in the info-space-time of social media:Towards a Topology of Fashion Bloggers and Influencer"
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