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| 1 | BALBASTRES ROMANCE (1778) |
| 2 | THIS IS A SOUND SPECTROGRAM (CA. 1957-1980) |
| 3 | SCRIPTURES CURVES (CA. 1906-1916) |
| 4 | PHONOPHOTOGRAPHY (CA. 1928) |
| 5 | PEASANT SONGS OF GREAT RUSSIA (1905) |
| 6 | SPEECH ON FOREFATHERS DAY (1898) |
| 7 | NUMBERS & LETTERS (1889) |
| 8 | MELOGRAPHY (1880-1885) |
| 9 | SCHALLDRUCK (1889) |
| 10 | DER HANDSCHUH (1889) |
| 11 | BALANCE TO CORNERS (1879) |
| 12 | SAILING, SAILING (1885) |
| 13 | FROM CHOPINS BERCEUSE (1900) |
| 14 | AU CLAIR DE LA LUNE-SIL FAUT QUA CE RIVAL-VOLE, PE |
| 15 | GAMME DE LA VOIX-EPELLATION DU MOT RIRA- LE JOUR |
| 16 | CREDERIA CHE SOTTO FORME UMANE-ET INCARNATUS EST ( |
| 17 | PHONAUTOGRAMS FROM 1857 |
| 18 | MAGIA PHONOTACTICA (1650) |
| 19 | SPRACHZEICHNER (1885) |
| 20 | MANOMETRIC FLAMES (1872-1898) |
| 21 | BROWN UNIVERSITY, HOW DO YOU DO? (1878) |
| 22 | CLEMENS RECTOR AETERNE (CA. 1250) |
| 23 | ALLELUIA (CA. 1250) |
| 24 | DOTS BEFORE SCOTTS (1677-1850) |
| 25 | SCOLICA ENCHIRIADIS (CA. 980) |
| 26 | MUSICA ENCHIRIADIS (CA. 980) |
| 27 | MELODY & MEASURE OF SPEECH (1775-1827) |
| 28 | WHAT HATH GOD WROUGHT? (1838-1844) |
| 29 | BARCELONNETTE (1778) |
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